{"id":644,"date":"2021-11-03T20:32:10","date_gmt":"2021-11-03T19:32:10","guid":{"rendered":"https:\/\/www.fbs-music.com\/?page_id=644"},"modified":"2022-11-14T23:09:08","modified_gmt":"2022-11-14T22:09:08","slug":"le-manche","status":"publish","type":"page","link":"https:\/\/www.fbs-music.com\/?page_id=644","title":{"rendered":"Le manche"},"content":{"rendered":"
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Les manches sont r\u00e9alis\u00e9s \u00e0 partir de d\u00e9bits sur quartier (quartersawn), avec diff\u00e9rentes essences possibles: \u00e9rable, acajou, ovangkol, noyer, padouk…<\/p>\n

J’utilise des tiges de r\u00e9glage (trussrod) en acier double action. Les tiges sont ins\u00e9r\u00e9es sous la touche dans une rainure profil\u00e9e et parfaitement ajust\u00e9e. Les tiges sont enduites de silicone avant mise en place afin d’\u00e9viter tous\n probl\u00e8mes d’adh\u00e9sion ou de vibration non d\u00e9sir\u00e9e.<\/p>\n

Le profil du manche est enti\u00e8rement r\u00e9alis\u00e9 \u00e0 la main. Je propose diff\u00e9rentes type de profil<\/p>\n

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  • Profil en C: le plus classique, un profil rond avec peu d’\u00e9paule, facile \u00e0 prendre en main<\/li>\n
  • Profil en D: Un profil avec plus d’\u00e9paule (\u00e9paisseur sur les angles) que le classique profil en C<\/li>\n
  • Profil en U: profil \u00ab\u00a0carr\u00e9\u00a0\u00bb typique des premi\u00e8res production de Fender dans les ann\u00e9es 50. Un profil tr\u00e8s particulier \u00e0 prendre en main…<\/li>\n
  • Profil en V: en forme de coque de bateau (parfois appel\u00e9 ‘boat profile’).<\/li>\n <\/ul>\n

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    Au del\u00e0 du profil il est \u00e9galement possible de personnaliser l’\u00e9paisseur du manche: fin (20-21mm), standard (21-22mm), \u00e9pais (22-23mm), fat (24mm).<\/p>\n

    Mes manches re\u00e7oivent une touche s\u00e9lectionn\u00e9e parmi de nombreuses essences (palissandre, \u00e9b\u00e8ne, pao ferro, granadillo, \u00e9rable….). Le radius de la touche est r\u00e9alis\u00e9 \u00e0 la main. Diff\u00e9rents radius sont possible de 9,5 pouces (vintage)\n \u00e0 16 pouces (moderne, plus plat).<\/p>\n

    Les rep\u00e8res de manche propos\u00e9s sont r\u00e9alis\u00e9s dans des mat\u00e9riaux naturels:<\/p>\n

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    • nacre (diff\u00e9rentes couleurs disponibles)<\/li>\n
    • bois (\u00e9b\u00e8ne ou palissandre)<\/li>\n <\/ul>\n

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      Je peux \u00e9galement r\u00e9aliser des incrustations sur commande.<\/p>\n

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      Le frettage est r\u00e9alis\u00e9 \u00e0 la main, plusieurs choix sont possibles:<\/p>\n

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      • mat\u00e9riaux: silver nickel 12% (standard), silver nickel 18% (extra dure), acier inox<\/li>\n
      • dimensions: frette fine (2mm), standard (2,4-2,5mm), jumbo (2,8-3mm)<\/li>\n <\/ul>\n

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        Je propose par d\u00e9faut des frettes inox sur mes mod\u00e8les, sans surco\u00fbt suppl\u00e9mentaire, afin d’assurer la durabilit\u00e9 de l’instrument.<\/p>\n

        Je me fournis essentiellement chez un fabricant europ\u00e9en: Wagner (Allemagne) <\/p>\n

        Chaque manche est soigneusement planifi\u00e9 et les frettes sont travaill\u00e9es et polies afin de fournir un confort de jeu maximum.<\/p>\n

        Je propose \u00e9galement deux types de sillet selon vos besoins:<\/p>\n

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        • standard (os ou tusq)<\/li>\n
        • frette z\u00e9ro (inox) pour une action optimale au niveau de la touche<\/li>\n <\/ul>\n

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          Les manches sont r\u00e9alis\u00e9s \u00e0 partir de d\u00e9bits sur quartier (quartersawn), avec diff\u00e9rentes essences possibles: \u00e9rable, acajou, ovangkol, noyer, padouk… J’utilise des tiges de r\u00e9glage (trussrod) en acier double action. Les tiges sont ins\u00e9r\u00e9es sous la touche dans une rainure profil\u00e9e et parfaitement ajust\u00e9e. Les tiges sont enduites de silicone avant mise en place afin […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-page.php","meta":{"footnotes":""},"class_list":["post-644","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=\/wp\/v2\/pages\/644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=644"}],"version-history":[{"count":6,"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=\/wp\/v2\/pages\/644\/revisions"}],"predecessor-version":[{"id":1618,"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=\/wp\/v2\/pages\/644\/revisions\/1618"}],"wp:attachment":[{"href":"https:\/\/www.fbs-music.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}